automobile

Noun

automobile (plural automobiles)

1. (US, Canadian) A vehicle intended to carry a driver and either none or a small number of additional passengers, and which is designed to move under its own power. In contrast to a truck, an automobile is not designed to primarily carry cargo. An automobile may be powered by various means, such as an engine, battery and motor, some combination of the two, etc.

An automobile, motor car or car is a wheeled motor vehicle used for transporting passengers, which also carries its own engine or motor. Most definitions of the term specify that automobiles are designed to run primarily on roads, to have seating for one to eight people, to typically have four wheels, and to be constructed principally for the transport of people rather than goods. However, the term automobile is far from precise, because there are many types of vehicles that do similar tasks.

There are approximately 600 million passenger cars worldwide (roughly one car per eleven people). Around the world, there were about 806 million cars and light trucks on the road in 2007; they burn over 1 billion m³ (260 billion US gallons) of petrol/gasoline and diesel fuel yearly. The numbers are increasing rapidly, especially in China and India.

This page contains quotes about automobiles and transport.

Sourced

• I think cars today are almost the exact equivalent of the great Gothic cathedrals. I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
  • Roland Barthes' The New Citroën (1957)

• Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated. Admittedly, there is the primal shock of the deserts and the dazzle of California, but when this is gone, the secondary brilliance of the journey begins, that of the excessive, pitiless distance, the infinity of anonymous faces and distances, or of certain miraculous geological formations, which ultimately testify to no human will, while keeping intact an image of upheaval. This form of travel admits of no exceptions: when it runs up against a known face, a familiar landscape, or some decipherable message, the spell is broken: the amnesic, ascetic, asymptotic charm of disappearance succumbs to affect and worldly semiology.
  • Jean Baudrillard, America (1988), pp. 9-10

• Ferraris are art, but they love being driven.
  • Chris Evans, British presenter and DJ. Live magazine, the Mail on Sunday (UK) newspaper, 29th November 2009

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Mon Aug 30 10:24:40 2010